Find the Best Audio Interface with MIDI: 5 Best Picks 2026

Discover the best audio interface with MIDI, with features, pros, and cons highlighted in this expert guide based on testing and research.

10 Find the Best Audio Interface with MIDI: 5 Best Picks. Desk with laptop, audio interface and synth.

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QUICK OVERVIEW

Focusrite Scarlett 4i4 4th Gen Audio Interface

Best Overall

Focusrite Scarlett 4i4

Behringer U-Phoria UMC204HD Audio Interface

Best Budget

Behringer UMC204HD

Arturia MiniFuse 2 Audio Interface

Best for Home Studio

Arturia MiniFuse 2

PreSonus Studio 24c Audio Interface

Best for Beginners

PreSonus Studio 24c

Universal Audio Volt 276 audio Interface top view on a white background

Best for Voice

Volt 276

MOTU M2 Audio Interface

Best for Music Production

MOTU M2

Introduction

Want to connect your keyboard, drum machine, or synthesizer to your computer? You’ll need an audio interface with MIDI capabilities. In this comprehensive guide, we’ll help you understand exactly what MIDI is, why you might need it, and how to choose the best MIDI audio interface for your setup.

 

After recording with the Focusrite Scarlett 4i4 4th Gen stands out as our top audio Interface with MIDI recommendation for most users. Its combination of excellent sound quality, robust build, and versatile features makes it a worthy investment for any serious audio producer. However, each interface in our list serves specific needs well, and we encourage you to consider your particular requirements when making a choice.

 

Remember to factor in your:

  • Current needs and future growth
  • Budget constraints
  • Technical requirements
  • Workspace limitations
  • Primary use case

By carefully considering these factors alongside our detailed reviews, you’ll be well-equipped to choose the perfect MIDI audio interface for your setup.

Focusrite Scarlett 4i4 4th Gen Audio Interface
Credits: Focusrite

Best Overall

Focusrite Scarlett 4i4 (4th Gen)

The Scarlett 4i4 4th Gen represents everything we’ve come to love about Focusrite’s interfaces, with meaningful improvements that make it our top pick for 2024.

Overview: During our testing, the 4th Gen Scarlett’s preamps impressed with their clarity and headroom. The Air Mode, now featuring two different circuit emulations, adds genuine character to vocals and instruments. We recorded various sources, from condenser mics (it has phantom power) to electric guitars, and the interface handled everything with pristine clarity.

The auto-gain feature is a game-changer for beginners, automatically setting optimal recording levels. For streamers and content creators, the enhanced loopback functionality makes recording system audio alongside your mic input seamless.

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Performance: In our latency tests, the 4i4 achieved an impressive 2.5ms round-trip latency at 96kHz with a 64-sample buffer. The preamps provided clean gain up to 66dB, handling both quiet spoken word and loud guitar amps with equal grace.

Behringer U-Phoria UMC204HD Audio Interface
Credits: Behringer

Best Budget

Behringer U-Phoria UMC204HD

Don’t let the budget price fool you – the UMC204HD delivers remarkable value with its MIDAS-designed preamps and robust build quality.

Overview: During testing, the MIDAS-designed preamps surprised us with their warmth and clarity. It handled both vocal and instrument recordings admirably, with enough headroom for dynamic sources. The direct monitoring feature is particularly well-implemented, with a blend knob that makes zero-latency monitoring easy to set up.

 

The pad switches on both inputs proved invaluable when recording high-output sources like electric guitars and drum machines. The build quality surpasses expectations at this price point, with a solid metal chassis that feels built to last.

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Performance: I’ve achieved workable latency of around 4ms at 96kHz with a 128-sample buffer – not class-leading but entirely usable for most recording scenarios. The preamps provided clean gain up to 50dB, suitable for most recording situations.

Arturia MiniFuse 2 Audio Interface
Credits: Arturia

Best for Portability

Arturia MiniFuse 2

The MiniFuse 2 combines exceptional portability with a premium feature set and an impressive software bundle, making it perfect for musicians on the move.

Overview: The MiniFuse 2’s compact design doesn’t compromise on features or sound quality. During our field testing, the preamps delivered clean, detailed recordings with sufficient headroom for most sources. The built-in USB hub proved incredibly useful for connecting MIDI controllers and USB drives.

 

The software bundle is exceptional, including Analog Lab Intro, Ableton Live Lite, Auto-Tune Unlimited (3-month trial), and Native Instruments Guitar Rig 6 LE. This adds significant value for beginners and mobile producers.

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Performance: Latency performance was nice for a portable interface, achieving 3ms round-trip latency at 96kHz with a 64-sample buffer. The preamps provided clean gain up to 52dB, handling both quiet and loud sources effectively.

PreSonus Studio 24c Audio Interface
Credits: PreSonus
Best for Beginners

PreSonus Studio 24c

The Studio 24c stands out as an ideal entry point for newcomers, offering professional features and an included DAW without overwhelming complexity.

Overview: The inclusion of Studio One Artist DAW sets this interface apart for beginners. During our testing, we appreciated the straightforward setup process and intuitive control panel. The XMAX-L preamps performed really well, providing clean gain and good headroom for various sources.

 

The mixer control software is particularly well-designed for beginners, offering clear visual feedback and easy routing options. The extensive documentation and tutorial resources help newcomers get up and running quickly.

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Performance: Latency performance was solid, with 3.5ms round-trip at 96kHz using a 128-sample buffer. The preamps provided clean gain up to 48dB, suitable for most recording applications.

Universal Audio Volt 276 audio Interface top view on a white background
Credits: Universal Audio
Best for Voice

Universal Audio Volt 276

The Volt 276 brings Universal Audio’s legendary analog expertise to an affordable interface, featuring a built-in 1176-inspired compressor that’s perfect for vocal recording.

Overview: The built-in compressor is the star here, providing that classic 1176-style compression that’s perfect for vocals and instruments. In our testing, the vintage preamp mode added pleasant harmonics that worked particularly well with vocals, bass and guitars.

 

The build quality is exceptional, it comes with an impressive suite of UAD plug-ins and instruments like Teletronix LA‑2A compressors and Pultec EQs, PolyMAX Synth, Century Tube Channel Strip, Galaxy Tape Echo, Pure Plate Reverb, Oxide Tape Recorder, and Verve Analog Machines Essentials.

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Performance: We measured impressive latency figures of 2.8ms round-trip at 96kHz with a 64-sample buffer. The preamps delivered clean gain up to 64dB, and the vintage mode added noticeable but musical coloration.

MOTU M2 Audio Interface
Credits: MOTU

Best for Music Production

MOTU M2

The MOTU M2 has earned its reputation as a professional’s choice, delivering exceptional audio quality and precise monitoring capabilities that rival interfaces costing twice as much.

Overview: The M2’s standout feature is its professional-grade metering. During our tests, the full-color LCD meters provided precise visual feedback that made setting levels foolproof. The ESS Sabre32 Ultra DAC technology delivered remarkably clean and detailed conversion, particularly noticeable when recording instruments and vocals.

 

The loopback feature worked flawlessly for streaming and podcast recording. The metal construction feels solid and ready for years of studio use.

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Performance: The preamps deserve special mention – they’re incredibly clean and offer up to 68dB of gain, handling everything from quiet spoken word to loud drum overheads with exceptional clarity. In our noise floor tests, they proved to be among the quietest in this price range.

Conclusion: Find the Best MIDI Audio Interface for you?

The Focusrite Scarlett 4i4 4th Gen stands out as our top audio Interface with MIDI recommendation for most users. Its combination of excellent sound quality, robust build, and versatile features makes it a worthy investment for any serious audio producer.

 

Each interface in our list serves specific needs well, and we encourage you to consider your particular requirements when making a choice.

 

Remember to factor in your:

 

  • Current needs and future growth
  • Budget constraints
  • Technical requirements
  • Workspace limitations
  • Primary use case

 

By carefully considering these factors alongside our detailed reviews, you’ll be well-equipped to choose the perfect MIDI audio interface for your setup.

FAQ

Can I use my MIDI keyboard without an audio interface?

Yes, if your MIDI keyboard has USB connectivity, you can connect it directly to your computer. However, a dedicated audio interface with MIDI ports often provides better timing accuracy, lower latency, and the ability to connect multiple MIDI devices simultaneously. Plus, you’ll get higher quality audio recording capabilities for instruments and microphones.

Connectivity is vital for seamless integration. USB interfaces are common and compatible with most computers, while Thunderbolt models offer faster speeds and lower latency (delay).

So make sure your interface is compatible with your preferred DAW and operating system, especially if you’re a Mac user. Most interfaces are compatible with both Mac and Windows, but some are also compatible with iOS and Android.

Bruno Bontempo playing a Ibanez BTB605 cerulean blue at Laurus Nobilis Metal festival in Portugal 2025.

Bruno Bontempo

I've been recording, producing, and playing bass for over 20 years—from touring with my first band at 15 to playing progressive metal across Europe today. Through multiple albums, projects (Madness of Light, Rising Course, Roots of Ascendant, Human|Archive), and production work, I've tested audio interfaces in every scenario imaginable. At Best Audio Hub, I combine my historian background with years of hands-on music and audio experience. No marketing fluff—just honest insights from someone who's been in the trenches.
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